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Vjay's club

Monday, December 18, 2006

here comes the dubsteppa

Eirenah Flash Visuals

2006 saw a massive expansion of interest in the sound (of Dubstep) [...]
In 2006 dubstep producers are increasingly absorbing dub reggae sonic aesthetics - sub bass, reverb and delay - to forge a distinct path away from associate genres like drum & bass, house and breaks. Using different rhythmic patterns like the 2step and halfstep beat patterns (yet deployed in the same tempo range) dubstep can create senses of differing momentum within the same DJ set. At best, dub reggae sonic aesthetics also allow a broad range of new musical influences to be introduced with a sense of coherence.
[via wiki]

...και το μαγείρεμα και ανακάτεμα και μπόλιασμα άλλων genres με τους ήχους αυτής της τεράστιας κληρονομίας, ανυπολόγιστης αξίας, που λέγεται reggae, dub, κλπ / συνεχίζεται στο Croydon, και στις άλλες γειτονιές του Λονδίνου, του Coventry, των στενών του B'ham / όπως στα club που μυρίζει axe και ganja / και ο ήχος βαθαίνει γίνεται as low as it gets / και ξεσηκώνει τα σκέλια και φουσκώνει τα στήθη / και το καινούριο ξεπηδά από τις στάχτες του παλιού.


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